Presents an innovative and critically challenging exploration of the historical, thematic and theoretical understandings of the Gothic from the eighteenth century to the present day.
THE NAZI MIDGET FROM 31 ROB ZOMBIE MOVIE SERIES
Volumes in the series are edited by leading scholars in their field and make a cutting-edge contribution to the field of Gothic studies. The volumes provide an authoritative critical tool for both scholars and students of the Gothic. Each volume takes either a period, place or theme and explores their diverse attributes, contexts and texts via completely original essays.
‘Part of my soul did die when making this film’: Gothic Corporeality, Extreme Cinema and Hardcore Horror in the Twenty-First Century Į D I N B U R G H C O M PA N I O N S T O T H E G O T H I CĮdinburgh Companions to the Gothic Series Editors Andrew Smith, University of Sheffield William Hughes, Bath Spa University This series provides a comprehensive overview of the Gothic from the eighteenth century to the present day. This Is America: Race, Gender and the Gothic in Get Out (2017) ġ5. American Gothic Westerns: Tales of Racial Slavery and Genocide ġ4. Dracula in Asian Cinema: Transnational Appropriation of a Cultural Symbol ġ3. The Gothic Sensorium: Affect in Jan Švankmajer’s Poe Films ġ0. Gothic Parodies on Film and Personal Transformation ĩ. Danny’s Endless Tricycle Ride: The Gothic and Adaptation Ĩ. Transitional Gothic: Hammer’s Gothic Revival and New Horror Ħ. ‘So why shouldn’t I write of monsters?’: Defining Monstrosity in Universal’s Horror Films Ĥ.
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